Beethoven: Fidelio, Op. 72 — Overture · Berliner Philharmoniker · Herbert von Karajan
Play on: Stay at home with Beethoven
℗ 1966 Deutsche Grammophon GmbH, Berlin
Released on: 2020-12-21
Producer, Executive Producer: Otto Gerdes
Producer, Recording Producer: Otto Ernst Wohlert
Studio Personnel, Balance Engineer: Günter Hermanns
Studio Personnel, Editor: Volker Martin
Composer: Ludwig van Beethoven
Author: Joseph von Sonnleithner
Author: Friedrich Treitschke
Одни ненавидели его за поэтический дар: приложит так, потом не отмоешься. Другие – за этот же талант души в нем не чаяли. А он тем временем подыскивал себе новую жертву, не делая разницы между друзьями и врагами.
Почему Эльдар Рязанов наотрез отказывался снимать Валентина Гафта? Чем насолили артисту друзья юности – Михаил Козаков и Игорь Кваша? И как Гафт запугал всю творческую интеллигенцию столицы? Об этом – в программе «Это было смешно».
Москва 24 — это новости 24 часа в прямом эфире. Наши корреспонденты освещают все важные события города. Политика, экономика, спорт, юмор, погода, интервью, специальные репортажи, происшествия и многое другое вы увидите первыми в прямом эфире.
J.S.Bach HARPSICHORD Concerto in D Minor BWV 1052 Polina Osetinskaya piano
The Mariinsky String Orchestra
Conductor: Anton Gakkel www.antongakkel.org/
St.Petersburg, Mariinsky Theatre, Concert Hall 29.03.2015
0:05 — 1mvt / 8:15 — 2mvt / 16:13 — 3mvt
The life of pianist Polina Osetinskaya can be divided into two stages. The first – that of “wunderkind” (a word that Polina herself cannot abide) – was when Polina performed as a girl in huge halls filled with excited sensationalists. The second, which has continued to the present day, is essentially her victory over the first. It is both a reference to serious performing and to exacting audiences.
Polina Osetinskaya began to perform at the age of five. At the age of seven she entered the Central School of Music of the Moscow Conservatoire. Polina gave her first concert at the age of six at the Great Hall of the Vilnius Conservatoire in Lithuania. Together with her father who accepted the role of manager, the young Polina began to undertake frequent tours throughout the former USSR to packed halls and ovations. In her own country Polina was possibly the most famous child of her time and her relationship with her father was portrayed by the mass media as some kind of soap opera after the thirteen-year-old Polina decided to leave her father and study music seriously at the school of the Leningrad Conservatoire under the acclaimed teacher Marina Wolf.
Polina began to tour once again while still a student at the St Petersburg Conservatoire. (The pianist subsequently completed a postgraduate course at the Moscow Conservatoire under Professor Vera Gornostayeva.) She has appeared with the Tokyo Philharmonic Orchestra, the Orchestra of the Weimar National Opera, the Academic Symphony Orchestra of the St Petersburg Philharmonic (Honoured Ensemble of Russia), the State Academic Svetlanov Symphony Orchestra, the Moscow Virtuosi and the New Russia orchestra among other ensembles.
Polina Osetinskaya’s onstage partners have included conductors Saulius Sondeckis, Vassily Sinaisky, Andrei Boreiko, Gerd Albrecht, Yan Pascal Tortelier and Thomas Sanderling. Polina Osetinskaya has performed at the Wallonie Festival in Brussels, the Mainly Mozart festival, the Frédéric Chopin Festival in Miami, the Stars of the White Nights festival and the December Evenings festival among numerous others.
The pianist has been awarded the Maly Triumph prize. In 2008 she wrote her autobiography Farewell, Sadness, which became a bestseller.
Polina Osetinskaya generally creates unusual and frequently paradoxical solo programmes. She almost always includes works by contemporary composers, frequently justaposing them with traditional classical works: “Contemporary music is not just a continuation of older music. It also helps us discover ideas and beauty in older music that have been lost over decades of the blind museum generation and mechanical and often soulless performing.”
Polina Osetinskaya often performs works by post-avant-garde composers such as Valentin Silvestrov, Leonid Desyatnikov, Vladimir Martynov, Georgs Pelēcis and Pavel Karmanov.
The pianist collaborates with many recording companies including Naxos, Sony Music and Bel Air.
#polinaosetinskaya #musicaaldente #полинаосетинская #бах
К 60-ЛЕТИЮ ПАВЛА КОГАНА. Юбилейный концерт.
Людвиг Бетховен. Симфония № 9
Концерт. Запись в Большом зале Московской консерватории.
Павел Леонидович Коган — дирижер, академик Российской академии искусств, художественный руководитель и главный дирижер Московского государственного академического симфонического оркестра, народный артист России, лауреат Государственной премии РФ.
В программе юбилейного концерта будет исполнена Симфония № 9 Людвига ван Бетховена.
— Для сравнения — другие исполнения этой симфонии Бетховена, показанные на телеканале «Культура»:
youtu.be/w4lbbaktZCk — Концерт Венского симфонического оркестра на площади Героев в Вене, дирижёр Филипп Жордан; youtu.be/dafgSXpvJAg — РНО, сводный хор «500 голосов», дир. М. Плетнёв, КЗЧ, 2010.
Moon Beams is a 1962 album by jazz musician Bill Evans, and the first trio album recorded by Evans after the death of Scott LaFaro. With Chuck Israels on bass taking the place of LaFaro, Evans recorded several songs during these May and June 1962 sessions. Moon Beams contains a collection of ballads recorded during this period. The more uptempo tunes were put on How My Heart Sings!.. In 2012, it was released a new remastered edition which includes three previously unreleased alternate takes.
Personnel: Bill Evans (p) Chuck Israels (b) Paul Motian (dr)
Released: Mid December 1962
Recorded: May 17, 1962 (#5,9) May 29, 1962 (#1, 8) June 2, 1962 (#2-4, 6-7) June 5, 1962 (#10-11)
Label: Riverside RLP-428
Producer: Orrin Keepnews
«Re: Person I Knew» (Bill Evans)
«Polka Dots and Moonbeams» (Johnny Burke, Jimmy Van Heusen)
«I Fall in Love Too Easily» (Sammy Cahn, Jule Styne)
«Stairway to the Stars» (Matty Malneck, Mitchell Parish)
«If You Could See Me Now» (Tadd Dameron)
«It Might as Well Be Spring» (Richard Rodgers, Oscar Hammerstein II)
«In Love in Vain» (Leo Robin, Jerome Kern)
«Very Early» (Bill Evans)
Writing for Allmusic, music critic Thom Jurek wrote of the album "...selections are so well paced and sequenced the record feels like a dream… Moonbeams was a startling return to the recording sphere and a major advancement in his development as a leader."
Sony Classical is proud to release «Les Contes dHoffmann: Barcarolle» by Jacques Offenbach from the Summer Night Concert 2020. The Vienna Philharmonic was conducted by Valery Gergiev with tenor Jonas Kaufmann as the star soloist.
The Summer Night Concert was performed this year on September 18th, 2020. It is an annual open-air event, which has been held since 2008. The previous series was the “Concert for Europe”, which took place from 2004 until 2007. The park of Schönbrunn Palace in Vienna/Austria is a magical setting for the concert. Thanks to its UNESCO World Heritage setting in the Baroque park of Schönbrunn with the palace as a backdrop, the Summer Night Concert adds great visual charm to its superb musical quality. This event is classical music at its very best. Millions of viewers and listeners in more than 80 countries can follow the concert online, on TV, and on radio. The Vienna Philharmonic devoted this very special concert to the theme of love.