Relaxing music with a campfire at night produced by Soothing Relaxation that can be described as soothing music and calm music. This relaxing guitar music («The Campfire ★154») can be used as peaceful sleep music, study music, work music or as background music for other activities. Listen to more relaxing music by Peder B. Helland here: www.youtube.com/watch?v=lvN7bc9vU7Q
HAUSER performing his favorite classical music pieces with the Zagreb Philharmonic Orchestra at his classical solo concert at the Lisinski Concert Hall in Zagreb, October 2017.
Elisabeth Fuchs, conductor
Special guests:
Choir Zvjezdice
Lana Trotovsek, violin
Petrit Çeku, guitar
00:34 Benedictus (K. Jenkins)
09:05 Pie Jesu (A. L. Webber) feat. Josephine Ida Zec, child soprano
13:00 Ave Maria (F. Schubert)
17:50 Jesu, Joy of Mans Desiring (J. S. Bach)
21:08 Prelude from Cello Suite no.1 (J. S. Bach)
23:40 Panis Angelicus (C. Franck)
28:08 Erbarme Dich, Mein Gott from St. Matthew Passion (J. S. Bach)
36:20 Passacaglia (Handel — Halvorsen)
44:37 Adagio (Albinoni)
51:47 Salut dAmour (E. Elgar)
54:40 Song from a Secret Garden (Secret Garden)
58:28 Mia
Bravo maestro Morricone, the legend lives forever in the music. This special performance captures the expansive repertoire in a series of sublime locations.
Listen to HAUSER plays Morricone at hauser.lnk.to/playsmorricone
00:02 Gabriels Oboe
03:35 Once Upon A Time In The West
06:20 Playing Love
08:30 La Califfa
11:11 Deborahs Theme
14:49 Malena
17:04 Cinema Paradiso
21:02 The Ecstasy Of Gold
Baroque music is a period or style of Western art music composed from approximately 1600 to 1750. This era followed the Renaissance music era, and was followed in turn by the Classical era. Baroque music forms a major portion of the «classical music» canon, and is now widely studied, performed, and listened to. Key composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, Arcangelo Corelli, Tomaso Albinoni, François Couperin, Giuseppe Tartini, Heinrich Schütz, Giovanni Battista Pergolesi, Dieterich Buxtehude, and Johann Pachelbel.
The Baroque period saw the creation of common-practice tonality, an approach to writing music in which a song or piece is written in a particular key; this kind of arrangement has continued to be used in almost all Western popular music. During the Baroque era, professional musicians were expected to be accomplished improvisers of both solo melodic lines and accompaniment parts. Baroque concerts were typically accompanied by a basso continuo group (comprising chord-playing instrumentalists such as harpsichordists and lute players improvising chords from a figured bass part) while a group of bass instruments—viol, cello, double bass—played the bassline. A characteristic Baroque form was the dance suite. While the pieces in a dance suite were inspired by actual dance music, dance suites were designed purely for listening, not for accompanying dancers.
During the period, composers and performers used more elaborate musical ornamentation (typically improvised by performers), made changes in musical notation (the development of figured bass as a quick way to notate the chord progression of a song or piece), and developed new instrumental playing techniques. Baroque music expanded the size, range, and complexity of instrumental performance, and also established the mixed vocal/instrumental forms of opera, cantata and oratorio and the instrumental forms of the solo concerto and sonata as musical genres. Many musical terms and concepts from this era, such as toccata, fugue and concerto grosso are still in use in the 2010s. Dense, complex polyphonic music, in which multiple independent melody lines were performed simultaneously (a popular example of this is the fugue), was an important part of many Baroque choral and instrumental works.
The term «baroque» comes from the Portuguese word barroco, meaning «misshapen pearl». Negative connotations of the term first occurred in 1734, in a criticism of an opera by Jean-Philippe Rameau, and later (1750) in a description by Charles de Brosses of the ornate and heavily ornamented architecture of the Pamphili Palace in Rome; and from Jean Jacques Rousseau in 1768 in the Encyclopédie in his criticism of music that was overly complex and unnatural. Although the term continued to be applied to architecture and art criticism through the 19th century, it was not until the 20th century that the term «baroque» was adopted from Heinrich Wölfflins art-history vocabulary to designate a historical period in music.
Historical 5th anniversary concert at Arena di Verona, May 2016
Dusan Kranjc, drums
1:12 Oblivion (Astor Piazzolla)
5:25 Gabriels Oboe (Ennio Morricone)
8:25 Where the Streets Have No Name (U2)
12:17 Viva la Vida (Coldplay)
15:57 Shape of My Heart (Sting)
19:55 Resistance (Muse)
24:29 With or Without You (U2)
32:59 Human Nature
36:33 Smooth Criminal (Michael Jackson)
39:55 Welcome to the Jungle (Guns N’ Roses)
42:12 Thunderstruck (AC/DC)
46:10 Voodoo People (The Prodigy)
50:30 Mombasa (Hans Zimmer)
54:01 They Dont Care About Us (Michael Jackson)
57:07 Smells Like Teen Spirit (Nirvana)
1:00:01 You Shook Me All Night Long (AC/DC)
1:03:30 Highway to Hell (AC/DC)
1:06:57 (I Cant Get No) Satisfaction (The Rolling Stones)
1:10:43 The Trooper (Iron Maiden)
1:14:13 Whole Lotta Love (Led Zeppelin)
1:18:03 Back in Black (AC/DC)
1:22:29 Wake Me Up (Avicii)
1:25:05 We Found Love (Rihanna)
1:27:55 Fields of Gold (Sting)
1:32:34 Air on the G String (Johann Sebastian Bach)
Filmed by MedVid produkcija
Directed by Kristijan Burlovic
Video editing by Hauser