Schubert-Die Winterreise D 911 (Complete)

Лес и Природа

Dietrich Fischer-Dieskau: baritone-Gerald Moore: piano-1962-1 Gute Nacht 2 Die Wetterfanne 3 Gefrorene Tränen 4 Erstarrung 5 Der Lindenbaum 6 Wasserflut 7 Auf dem Flusse 8 Rückblick 9 Irrlicht 10 Rast 11 Frühlingstraum 12 Einsamkeit 13 Die Post 14 Der greise Kopf 15 Die Krähe 16 Letzte Hoffnung 17 Im Dorfe 18 Der stürmische Morgen 19 Täuschung 20 Der Wegweiser 21 Das Wirtshaus 22 Mut 23 Die Nebensonnen 24 Der Leiermann

Bach: Complete Partitas

Лес и Природа

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): PianoClassics.lnk.to/CompletePartitasYuanSheng
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Composer: Johann Sebastian Bach
Artist: Yuan Sheng piano

This is the third instalment of Yuan Sheng’s complete Bach cycle played on the piano, previous issues include the Goldberg Variations and the Italian Concerto/French Overture.
“China’s premier interpreter of Bach”, is what International Piano Magazine called Yuan Sheng. A pupil of Solomon Mikowsky (Manhattan School of Music) and notably Rosalyn Tureck Yuan Sheng extensively studied the performance practice of Baroque music. Equally at home at the harpsichord he has an instinctive feeling for the possibilities, sonorities and touch of the instrument at hand, so that “the listener might easily have imagined the composer at the keyboard” (Boston Intelligencer).
This recent recording of the complete 6 Partitas is again a marvel of elegance, wit, rhetoric and brilliance, played on a modern Steinway.
Besides pursuing an international career Yuan Sheng is Professor of Piano at the Bejing Central Conservatory of Music.

00:00:00 Partita No. 1 in B-Flat Major, BWV 825: I. Praeludium
00:01:43 Partita No. 1 in B-Flat Major, BWV 825: II. Allemande
00:05:37 Partita No. 1 in B-Flat Major, BWV 825: III. Corrente
00:08:35 Partita No. 1 in B-Flat Major, BWV 825: IV. Sarabande
00:14:10 Partita No. 1 in B-Flat Major, BWV 825: V. Menuet I

Mozart - Flute and Harp Concerto in C, K. 299 [complete]

Лес и Природа

The Concerto for Flute, Harp, and Orchestra in C major, K. 299 is a piece by Wolfgang Amadeus Mozart for flute, harp, and orchestra. It is one of only two true double concertos that he wrote, as well as the only piece of music that Mozart wrote that contains the harp. The piece is one of the most popular such concerti in the repertoire, as well as often being found on recordings dedicated otherwise to either one of its featured instruments. The concerto was written in April 1778 by Mozart during his sojourn to Paris for the Court of Guînes. It was commissioned (although never paid for) from Mozart, by the flautist Duke of Guînes, Adrien-Louis de Bonnières, and his harpist daughter who was taking composition lessons from the composer. The soloists in the piece will sometimes play with the orchestra, and at other times perform as a duo while the orchestra is resting. The flute and harp alternate having the melody and accompanying lines. In some passages, they also create counterpoint with just each other. Mozart concertos are standard in how they move harmonically, as well as that they adhere to the three-movement form of fast--slow--fast:

I. Allegro

The orchestra states both themes. The first is immediately present, and the second is introduced by the horn. Both themes fall under the conventional sonata form. The soli then re-work the already present themes.

I. Andantino

The short phrases in this movement are introduced by the strings, and become lyrically extended. This further develops into variations on the theme. The cadenza in this movement leads to a coda, where the orchestra and soli focus on the lyrical theme.

III. Rondeau — Allegro

The harmonic form is: A--B--C--D--C--B--{cadenza}--A(coda). Some music theorists feel that this is actually more of an arch than a typical rondo form, because music from the A section is still audible in the C and D sections.

— FREE .mp3 and .wav files of all Mozarts music at: www.mozart-archiv.de/

FREE sheet music scores of any Mozart piece at: dme.mozarteum.at/DME/nma/start.php?l=2

ALSO check out these cool sites: musopen.org/

and imslp.org/wiki/

— NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.

— ENJOY!!! :D