ytimg.preload(https://r13---sn-axq7sn7e.googlevideo.com/generate_204);ytimg.preload(https://r13---sn-axq7sn7e.googlevideo.com/generate_204?conn2);Orchester Anthony Ventura, The Silent Sound Of Simon
The Concerto for Flute, Harp, and Orchestra in C major, K. 299 is a piece by Wolfgang Amadeus Mozart for flute, harp, and orchestra. It is one of only two true double concertos that he wrote, as well as the only piece of music that Mozart wrote that contains the harp. The piece is one of the most popular such concerti in the repertoire, as well as often being found on recordings dedicated otherwise to either one of its featured instruments. The concerto was written in April 1778 by Mozart during his sojourn to Paris for the Court of Guînes. It was commissioned (although never paid for) from Mozart, by the flautist Duke of Guînes, Adrien-Louis de Bonnières, and his harpist daughter who was taking composition lessons from the composer. The soloists in the piece will sometimes play with the orchestra, and at other times perform as a duo while the orchestra is resting. The flute and harp alternate having the melody and accompanying lines. In some passages, they also create counterpoint with just each other. Mozart concertos are standard in how they move harmonically, as well as that they adhere to the three-movement form of fast--slow--fast:
I. Allegro
The orchestra states both themes. The first is immediately present, and the second is introduced by the horn. Both themes fall under the conventional sonata form. The soli then re-work the already present themes.
I. Andantino
The short phrases in this movement are introduced by the strings, and become lyrically extended. This further develops into variations on the theme. The cadenza in this movement leads to a coda, where the orchestra and soli focus on the lyrical theme.
III. Rondeau — Allegro
The harmonic form is: A--B--C--D--C--B--{cadenza}--A(coda). Some music theorists feel that this is actually more of an arch than a typical rondo form, because music from the A section is still audible in the C and D sections.
«Counterpoint passes back and forth between the hands in a conversational and judiciously balanced manner, while a strong lyrical inlpulse informs the cross-handed variations rapid, bravura passages (Vars 5 and 19, for example). Ishizakas restrained and concentrated way with slow minor-key variations (Vars 15,21 and 25) lets the musics agonising harmonic tension speak softly for itself.»
— Jed Distler, Gramophone Magazine
«She has the fleet fingers to speed through the virtuoso variations with compelling clarity and the sensitivity to probe the dramatic potential of the slower, more profound numbers, pleasurably aided by her consistently lovely tone.»
— Robert Schulslaper, Issue 36:1 (Sept/Oct 2012), Fanfare Magazine
«The sound quality of the recording is top notch»
«In fact, the albums an audiophile gem.»
— Reviewed by Christopher Lim in The Business Times, July 20, 2012.
J.S. Bachs «Goldberg Variations», BWV 988, recorded by Kimiko Ishizaka on a Bösendorfer grand piano, with score following provided by the iPad app from MuseScore. For more information on this project, see www.opengoldbergvariations.org
www.sg-swm.de Am 24. Juli 2015 beginnen die Schwimm-Weltmeisterschaften in Kazan in Russland. Mit dabei ist Alexandra Wenk von der SG Stadtwerke München. Die 20-jährige ist eine von 38 deutschen Athleten, die für Kazan nominiert wurden. Sie hofft, zumindest in ein Semifinale oder Finale einzuziehen, um die tolle Wettkampf-Stimmung zu erleben.
Bei den Vorbereitungen in der Olympia-Schwimmhalle absolviert sie momentan beinahe täglich einen Strecke von fünf bis sechs Kilometern. Perfekt betreut fühlt sie sich dabei von ihrem Verein, der SG Stadtwerke München.
Die Schwimm-WM in Kazan findet von 24. Juli bis 9. August 2015 statt. Alexandra Wenk geht über 100m Delfin, 4 mal 200m Kraulstaffel und 4 mal 100m Lagenstaffel an den Start. Ihr nächstes Ziel ist die Qualifikation für die olympischen Spiele 2016 in Rio de Janeiro in Brasilien.
Sublime, extreme and all-embracing… only superlatives will do to describe Bach’s Mass in B minor, the Hohe Messe, performed by the Netherlands Bach Society for All of Bach. In between an awe-inspiring Kyrie and the jubilant final Dona nobis pacem, there are nine completely unique arias and duets, fourteen impressive ensemble sections for four, five, six and even eight voices, a broad spectrum of instrumental solos, and an incredible variety of styles.
Recorded for the project All of Bach on December 15th 2016 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB or consider donating bit.ly/2uZuMj5.
All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.
Jos van Veldhoven, conductor
Hana Blažíková, soprano 1
Anna Reinhold, soprano 2
David Erler, alto
Thomas Hobbs, tenor
Peter Harvey, bass
Иоганн Себастьян Бах (21 (31) марта 1685, Эйзенах, Саксен-Эйзенах — 28 июля 1750, Лейпциг, Саксония, Священная Римская империя) — немецкий композитор, органист-виртуоз, капельмейстер, музыкальный педагог.
За свою жизнь Бах написал более 1000 произведений. В его творчестве представлены все значимые жанры того времени, кроме оперы; он обобщил достижения музыкального искусства периода барокко. Бах — знаменитый мастер полифонии, продолжатель старинных традиций, в творчестве Баха полифония достигает расцвета.
Все великие композиторы и гении классической музыки на одном канале: Шопен, Моцарт, Шуберт, Мусоргский, Бах, Чайковский, Вивальди, Бетховен, Дебюсси и многие другие!
TRACKLIST:
Лучшее из Баха
01. Toccata and Fugue in D minor, BWV 565 Toccata
02. Suite No.2 in B minor, BWV 1067 Badinerie (2:59)
03. Suite No.3 in D major, BWV 1068 Air (4:26)
04. Suite No.4 in D major, BWV 1069 Rejouissance (9:50)
05. Brandenburg Concerto No.1 in F major, BWV 1046 Adagio (12:23)
06. Brandenburg Concerto No.2 in F major, BWV 1047 Allegro Assai (17:43)
07. Brandenburg Concerto No.3 in G major, BWV 1048 Allegro (21:08)
08. Concerto in C minor for Violin and Oboe, BWV 1060 Adagio (24:39)
09. Double Concerto in D minor, BWV 1043 Largo ma non Tanto (31:15)
10. Piano Concerto No.5 in F minor, BWV 1056 Largo (38:07)
11. Violin Concerto in A minor, BWV 1041 Allegro Assai (40:59)
12. Violin Concerto No.2 in E major, BWV 1042 Adagio (44:51)
13. Sonata No.3 in C major for Solo Violin, BWV 1005 Largo (52:22)
14. Wachet auf, Cantata, BWV 140 No.1 (55:48)
15. Nun komm, der Heiden Heiland, BWV 659 (1:01:40)
16. Christmas Oratorio, BWV 248 Sinfonia (1:06:26)
17. Goldberg Variations, BWV 988 Aria (1:12:27)
18. Jesu Joy of Mans Desiring, BWV 147 (1:15:48)
Ludwig van Beethoven (1770-1827) — Romance for Violin and Orchestra No. 2 in F major, Op. 50 (1798)
Anne-Sophie Mutter, violin
Manfred Honeck, conductor
Staatskapelle Berlin